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Sun JingHui
Sun Jinghui, painter of Chinese traditional painting and fine arts educator, was graduated from Central Arts and Crafts Academy in the 1963 and attended the advance studies in Beijing Drawing Academy. In 1981, He was invited to participate in the creative activity held by the Traditional Chinese Painting Group of Chinese Painting and Calligraphy Research Institute. Now, he is a professor of Shan Dong Art College, Supervisor of graduate student of Chinese Traditional painting, member of Research Institute of Culture and History of Shan Dong province and member of Chinese Artist Association.
The Freehand brushwork painting attaches great value to the spirit. Mr. Sun’s freehand character painting reflexes his unique tastes and aesthetics. He’s very good at grasping opportunities from the complex phenomena in life. And at the same time he is such an artist that he will paint and express the theme with vivid images and with his great passions. He has received long, strict, regular professional training, which helps him lay down solid designing foundation. He draws the merits of the character painters like shi Ke, Liang Kai, Chen Hongshou and Ren Bonian. Therefore, he can create his own style in freehand character painting. His works, with splash-ink (a technique of Chinese ink-painting) pursuits an aesthetic standard of conciseness and thoroughness. The pictures are full of emotion, tense and preciseness, sometimes are full of humor and wit. One can occasionally see some exquisite painting. Mr. Huang Zhou once said his painting is strict in personal integrity but with passions.
Chinese painting is closely related with literature, especially to the Chinese character painting. Mr. Sun’s paintings are mostly from the literature. He always selects his favorite historical characters and the characters and events in the literary work as themes. The typical situation drawing and the figure features such as the facial expression and the postures are all the description of character’s spiritual world. Li Bai, Su Shi, Fan Zhongyan, Pu Songling and Li Qingzhao are drew repeatedly from different angles. He always draws characters in specific surroundings, take Pu Songling’s Early Departure for example, it tells the early departure of Pu Songling by donkey at dawn. It is deep fall, the scenery is desolate. Pu Songling is ridding a donkey and disappears into the frost while the moon is still in the sky. The characters drew by Mr. Sun carry his subjective emotion, so they have their own individuality and beautiful temperament. These works reflex his understanding and experience of traditional culture and history.
In addition, he also draws some pictures which reflex the social life. For example, the reputable paintings like Premier Zhou Enlai and Qi Baishi and the Miner Brothers. These works mostly belong to freehand painting. He draws the characters in the empty and pale background with the technique of splash-ink and reducing brushes. The drawing of the face is exquisite; the facial expressions are very natural and vivid. The major part and the minor one, the detailed part and the concise one, the dense colors part and the light part, the linear structure and the wash painting clusters compare strongly with each other and at the same time, they fuse and echo with each other perfectly. It really is an excellent works with the painter emotions.
What impresses people is his impromptu character painting. Three-color glazed pottery Impression is one of his impromptu drawings after having visited the pottery figurines of Tang Dynasty exhibited in Xi’an Museum. The whole picture is easy, happy and somewhat humor. Though seeing the picture creates a certain distance between the real objects and the appreciators, it shortens the mental states of the drawers and those of the appreciators.
Mr. Sun Jinghui refines and develops the traditional arts. Of course, he gets nutrition from the western arts, for example, the focus perspective and techniques of choosing the colors. These techniques enrich the expressive force. However he still sticks to the tradition Chinese designing principles like lines, colors and ink. He draws with Chinese calligraphy and enrich the works expressive function by using lines. Through the swift, hovering use of the brush to make the ink dry or wet, dark or light on the paper, he endows the whole picture a kind of space feeling. The appropriate control of the brush and the ink expresses his vivid painting style.
He shows deep research in the character painting. And he writes many books such as Techniques of Freehand Character Paining.
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